Abstract
Brecht Evens loves polyphonic narratives, disjointed narratives in which voices and points of view intermingle in a seemingly chaotic way, where we follow numerous characters without the boundary between " main " and "secondary " being really clear. The Flemish-speaking Belgian author frees himself from traditional codes (the box, phylacteries) and even from a fundamental character of comics : the resemblance of a character from one sequence to the next. We'll see how, seemingly out of the blue, Les Rigoles reinvent the medium in their own way.
