Studying the history of Israel through the cinema of Amos Gitai

Session chaired by : Amos Gitaï, architect and film-maker

Ouzi Elyada

Ouzi Elyada is Professor in the History and Communication Departments at the University of Haifa. He is a specialist in Hebrew cultural and media history (^19th-20th^centuries). He has studied the birth and evolution of the popular Hebrew press in Israel between 1884 and 1948, and the political use of this press in the confrontation between the Zionist right and left in the 20th^century. His latest book is Hebrew Popular Journalism, -Birth and Development in Ottoman Palestine, London, Routledge, 2019.

Speaker(s)

Ouzi Elyada

Media historian, University of Haifa

Studying the history of Israel through the cinema of Amos Gitai

Session " Memories, archives, pathways, representations : the family legacy "

Ouzi Elyada

Speaker(s)

Ouzi Elyada

Events

Opening

Bruno Maurice, accordion

Reading of excerpts from Mont Carmel, by Amos Gitaï

The work of a living filmmaker in the world's cinematheques (the example of Amos Gitaï's films)

Music and memory : how can we question the tension between the act of creation and the …

Theater and context : the relationship with heritage

A challenge of memory : the work of a contemporary artist confronted with a major histo…

Decolonizing the imaginary

Ethics and documents in Amos Gitai's film writing

Learning, trial and error, creating : " Plus tard tu comprendras …

Golem l'Esprit de l'Exil : The Visual Style as a Pictorial Language

The Munio Weinraub legacy : architecture, between art and social utility

Design is Meant for People

Munio Weinraub and the Bauhaus legacy

Introduction

Why does an artist decide to donate drafts of his work ?…

Studying the history of Israel through the cinema of Amos Gitai

The reinvention of a language

Louis Sclavis, musician

Kioomars Musayyebi, Iranian santur

Options. Cinema in India, the Example of Ritvik Ghatak

The Rise of Black African Cinema

An Illustrated Lecture on Brazilian Cinema Novo, Tracing Its Rise and Fall as Well as Its Contin…

How Amos Gitaï's cinema is an archive

Cinema as Resistance: Dziga Vertov and Serguei Eisenstein

Conclusion

See also