Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot
Open to all
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Abstract

It's widely accepted that work that takes architecture as a discipline as its subject - be it art history, the history of techniques, statistics or even photography - has a scientific dimension. But the assumption that the project process internal to the discipline also leads to discoveries and the formation of knowledge remains contested. In this intervention, design work will be considered as an experimental process, with the project conceived less as a contribution to the transformation or embellishment of the world than as an attempt to enable a new experience in architecture itself. In contrast to the experimental devices developed in the scientific field, this experience cannot be dissociated from the lived perception of architectural space, as will be shown by several examples such as the new Competence Center designed for Holcim in Holderbank.

Christian Kerez

Christian Kerez is a professor at the Swiss Federal Institute of Technology in Zurich, where he studied architecture. After working as an architectural photographer and publishing many of his images, he opened his own studio in Zurich in 1993. The author of several structurally provocative buildings, he currently designs projects in Switzerland, France, Brazil, China and the Czech Republic. A visiting professor, then associate professor and finally full professor at the Swiss Federal Institute of Technology in Zurich, in 2012-2013 he held the Kenzo Tange Chair at Harvard University.

Speaker(s)

Christian Kerez

Architect, Professor at the Swiss Federal Institute of Technology Zurich