Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot
Open to all
-

Abstract

The proposed reflection on the definitions of the doctoral thesis in architecture takes the form of a theoretical compass, enabling us to find our bearings in the expanding universe of knowledge production in architecture (theses, theories) by crossing two axes: the axis of epistemological tensions distinguishes between the retrospective aims of research of a historical nature, and the prospective aims specific to both the human sciences and the engineering sciences concerned with architectural objects. The axis of tensions between disciplinary and professional projects distinguishes and recognizes two approaches to "theory as project": the retroactive nature of reflective projects and the proactive nature of prescriptive projects.

Jean-Pierre Chupin

Jean-Pierre Chupin is a professor at the Université de Montréal, co-director of the Laboratoire d'Étude de l'Architecture Potentielle and holder of the research chair on competitions and contemporary practices in architecture. His research focuses on design, the architectural imagination, judgment and the competition phenomenon. His work highlighting the role of analogical thought processes in architecture was published in Analogy and Theory in Architecture (2010). He coordinates the updating of the Catalogue of Canadian Competitions. Co-edited with Carmela Cucuzzella and Bechara Helal, his book Architecture Competitions and the Production of Culture, Quality and Knowledge will be published in 2015.

Speaker(s)

Jean-Pierre Chupin

Professor, Université de Montréal