In the Trattatello in Laude di Dante, Boccaccio not only invents the letter from the pseudo-Ilario to Uguccione della Faggiola that he claims to have transcribed, as Giuseppe Billanovich showed as early as 1949; he also imposes the legend of the triple dedication of the Dantesque Comedy (Hell to Uguccione della Faggiola, Purgatory to Moroello Malaspina, Paradise to Frederick II). Extending and displacing Carlo Ginzburg's hypotheses, the lecture proposes a historical interpretation that involves redefining the seigniorial experience in terms of structural regularities, political grammar and local contexts. It culminates in an analysis of the controversy between Boccaccio and Petrarch over the Dantesque past(Familiares, XXI, 15: May 1359), which first concerns the debate on communal commitment. When Petrarch negotiates with his distant precursors, he foreshadows the politics of the future - and in particular the curialization of government in the Quattrocento. But the historical sociology of literary producers can only go so far: the survey is hampered by the impossible group portrait of the authors of the novellistica, beyond the emblematic case of Franco Sachetti. Paradoxically, the authors' political commitment is also an aspiration towards a fictitious aristocracy.
11:00 - 12:00
Lecture
After Petrarch, communal commitment
Patrick Boucheron
11:00 - 12:00