Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot
Open to all
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The aim is to demonstrate the computational strategies involved in the conception, simulation and realization of all stages in the composition of a musical work by a composer using new technologies. Particular emphasis will be placed on the "orchestration" part, which makes use of a software prototype to which I made a major contribution at Ircam.

Speaker(s)

Yan Maresz

Composer, professor at CNSMDP and Conservatoire de Boulogne-Billancourt