Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot
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Abstract

Although the shipwrecked crew of the Querina, now ungovernable, have put their fate at stake democratically, the fact remains that the eleven survivors are all noblemen. The political game here confronts what we might call, with Thomas Piketty, an ideology of inequality. Taking the question of ideology seriously once again means taking stock, over the long term, of the creativity shown by different human societies, not only to justify social inequalities ideologically, but also to structure them institutionally. It is from this perspective that we propose to reconsider the historiographical scope of Georges Duby's book Les Trois Ordres ou l'Imaginaire du féodalisme (1978), on the assumption that what is at stake here is not so much the imaginary as ideology, and that the narrative experiment Duby is attempting " is more perilous than any other, since it consists in entering the trap in order to dismantle its mechanisms ", as Pierre Bonnassie rightly noted. It also raises the question of testimony and what the historian can expect from it. This theoretical discussion on the methodological expectations of the trifunctionality survey raises anew the question of the proliferation of political experiences in medieval Italy, between imperialism and contractuality.

Contents

  • Back to the Querina nave: the blind spot of decision, political indeterminacy, improvisation
  • Already in 1432, "the inequality of lives" (Didier Fassin)
  • A history for today? Mastering the tumultuous swerves of time concordance
  • A challenge for historians: the return of ideology
  • Ideology? "A more or less coherent attempt to provide answers to a set of extremely vast questions concerning the desirable or ideal organization of society" (Thomas Piketty, Capitalism and Ideology, 2019)
  • What remains of history: solutions orphaned by their problems
  • In India and Europe, the permanence of trifunctional societies
  • Imaginary or ideology? Georges Duby's Three Orders (1978)
  • Before Adalbéron de Laon and Gérard de Cambrai, the Carolingian school of Auxerre (Edmond Ortigues and Dominique Iogna-Prat)
  • What happens to a history book when its premise is attacked ?
  • Respectful, disobedient or perilous: the three degrees of history according to Pierre Bonnassie ("Idéologie tripartite et révolution féodale", Le Moyen Âge, 1980)
  • History at the third level: "It is more perilous than any other, since it consists in entering the trap in order to dismantle its mechanisms"
  • Why is the fable of inequality a fable? From Georges Duby to Louis Marin (Le récit est un piège, 1978)
  • "There are three categories of inhabitants, the nobles who govern theState and the Republic, the citizens and the artisans, that is, the little people" (Marino Sanudo): a "deceptively clear description" (Claire Judde de Larivière and Roia Salzberg)
  • Why did Italy produce so much Art in the Renaissance? (Richard Godthwaite, Wealth and the Demand fort Art in Italy, 1300-1600, 1993); and why did it also produce so many experiences and narratives ?
  • Italian history as an accentuation, not an exception, of European history
  • Italia fuori d'Italia: Jacques le Goff, Fernand Braudel and the Storia d'Italia Einaudi (1972-1973)
  • "Early on, we experimented in all directions..." giovanni Tabacco, or the meaning of political experimentation (Medieval Italy, 2005)
  • Imperialism, elusive and effective as a political horizon
  • Forgetting Rousseau? L'horizon non démocratique de la contractualité médiévale (François Foronda ed., Avant le contrat social. Le contrat politique dans l'Occident médiéval, XIIIe-XVesiècle , 2011)
  • Pierre de Jean Olivi and contracts (Alain Boureau): the historian's solitude in the face of a singular case
  • Carlo Ginzburg again: " Unus testis. The extermination of the Jews and the principle of reality" (in Le Fil et les traces. Vrai faux fictif, 2010)
  • Rediscovering the sense of fable behind literary topos : a single witness and the shadow of a doubt
  • The persecution of the Jews in the Comtat Venaissin in the 1320s: persistence of a murderous ideology or techniques of government (Valérie Theis)
  • The truly dangerous moment: when the penultimate witness dies