Abstract
The most famous daimōn in the historiography of Greek religion is undoubtedly Jane Ellen Harrison'seniautos daimōn [1], an interpretative artifact forged to account, in a Greek context, for the spirit of vegetation as conceived by James George Frazer in his famous Golden Palm. In this perspective, which also reflects Durkheim's reflections on the collective effervescence of rituals, daimones are supposed to belong to the " primitive " strata of Greek religion, before becoming theoi, full-fledged gods. This type of reconstruction creates a kind of " novel of origins " where the daimōn emerges from primordial times that are never dated.