Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of 20th-century techniques)

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of ^20th-century techniques)

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of 20th-century techniques)

Speaker(s)

Jacques Amblard

Events

Decompose/recompose (1)

Decompose/recompose (2)

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectifi…

Compose/Derive

Dial/Undo (1)

Dial/Undo (2)

Composer/Relier (1)

Dial/Relay (2)

Composer/Curber (1)

Composer/Curber (2)

Composer/Greffer (1)

Composer/Greffer (2)

Opera 1 An opera, why ?

Opera 2 An opera, how... (1)

Opera 2 An opera, how... (2)

Opera 3 An opera in the making (1)

Opera 3 An opera in the making (2)

See also

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of ^20th-century techniques)

Opera 1
An opera, why ?

Opera 2
An opera, how... (1)

Opera 2
An opera, how... (2)

Opera 3
An opera in the making (1)

Opera 3
An opera in the making (2)