Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of 20th-century techniques)

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of ^20th-century techniques)

Jacques Amblard

Speaker(s)

Jacques Amblard

Events

Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of 20th-century techniques)

Speaker(s)

Jacques Amblard

See also

Events

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Music as a boundary discipline (on the borders of the sacred and the popular, music as the objectification of affect - examples of ^20th-century techniques)