The Greek world, from the Archaic period to the first years of the Peloponnesian War, is essentially known by the written traces of the poetic and musical practices that punctuated the life of cities and sanctuaries. With this in mind, John Herington proposed in 1985 that ancient Greece up to the end of the5th century bedescribedas a " song culture ". Since then, the term has enjoyed some success, particularly among specialists in the poetry and oral culture of archaic Greece. As an analytical concept, it has hardly been adopted outside this restricted circle. Would this notion be useful only for studies of Greek poetry ? Would such a configuration have no effect on the other objects of current historical research ? The aim of this colloquium is to take up this expression, propose a definition and extend its scope to new areas of study.
On 24 and 25 June 2024, an international symposium entitled " Le monde grec antique : une culture du chant ? " will be held at the Collège de France's Institut des Civilisations
Program
Monday,June24
9:15 am: Welcome
9:45am: Déborah Bucchi and Antoine Chabod (Collège de France), Introduction
Songs in the city
10:15am: Claude Calame (EHESS), The political and cultic life of Greek cities as a culture of song : from Spartan parthenean songs to Attic choral tragedies
11:00 a.m.: Break
11:15: Antoine Chabod (Collège de France), Song and grace : Greek cities as emotional communities
12:00: Vinciane Pirenne-Delforge (Collège de France), The culture of song under the test of ritual norms
12:45pm: Lunch
Beyond singing : a culture of rhythm and performance ?
2:00 pm: Magali Année (Université de Lille), (Sound) Rhuthmos Culture: The culture of a state of sound language (Proposal for expanding and rethinking the concept of " Song Culture ")
2:45pm: Michel Briand (Université de Poitiers), Chorality as song-and-dance culture : synesthesia, transmediality and spectacular rituality in Sappho, Pindar and Aeschylus
3:30 pm: Break
Singing in Greece and elsewhere
4:00 pm: Tristan Mauffrey (Sorbonne Nouvelle), The " Song Culture "paradigmand its critical application to the poetic tradition of pre-imperial China
16:45: Déborah Bucchi (Collège de France), Singing the dead on stage, or how to socialize the invisible
5:30 p.m.: Denis Laborde (EHESS), Chanter, une utopie en temps de guerre ? Diary of a campaign in Ukraine, January 2024
Tuesday June 25th
The end of singing ?
9:30 am: Pauline Le Ven (Yale University), Une " culture du chant " au IVe siècle av. J.-C. ?
10:15am: Sylvain Perrot (CNRS - Université de Strasbourg), Vocal and instrumental music in the Hellenistic period : le témoignage des inscriptions (in French)
11:00 a.m.: Break
11:15am: Benoît Laudenbach (Sorbonne University), Des pierres qui chantent ? Hellenistic song and epigram
12h00 : Andrew Ford (Princeton University), Tragedy, Aristotle'sPoetics, and the slow death of song culture
1 p.m.: Conclusions
Organization : Déborah Bucchi and Antoine Chabod, with the support of Professors Vinciane Pirenne-Delforge, Chair of Religion, History and Society in the Ancient Greek World, and William Marx, Chair of Comparative Literatures.
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Institut des Civilisations
Salle Françoise Héritier
52 Rue du Cardinal Lemoine
75005 Paris