Abstract
Is the insistence on lauds an archaism ? From the beginning of the 13th century, royal praises refer to a theological-political matrix that no longer applies, since it confuses the reign with the priesthood. Following Giorgio Agamben's analysis, we propose to call this threshold of indistinction between the juridical and the religious, where liturgy, ceremonies, insignia and acclamations mingle, glory. Far from merely designating a chronological anteriority in the history of power, glory remains ever-present insofar as power remains that " object worthy of acclamation " thought by Pierre Legendre - and this is why the Middle Ages can state " the anthropological truth of European modernity ". If the mystery of the office is that of its efficacy, it is indeed this liturgical enigma that needs to be defined through political fictions. The Canossa penance (1077), a crucial test of the conflict between the empire and the papacy, lends itself to this type of historiographical analysis. Here, we propose a re-reading of the event, based on the quarrels of memory and conflicts of interpretation (following in particular the proposals of Johannes Fried). A ritualization of a prior negotiation filtered through Carolingian theorization of a Christian triumph of humility, Canossa is also, as Stefan Weinfurter has shown, an experience of disenchantment.