Amphithéâtre Marguerite de Navarre, Site Marcelin Berthelot
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Abstract

Any theory of interpretation must start from the naïve, empirical experience : what American critic Michael Warner calls uncritical reading, the uncritical, unprofessional reading of the standard reader. The starting point must be the attachment to books that justifies the desire to read. Indeed, the study of literature is unique in that it is based on sensory pleasure.

But the pleasures and interests of reading are multiple and heterogeneous. They go in all directions. In the modern regime of literature, the autonomy of reading makes it a fundamentally solitary and asocial occupation. Everyone follows his or her own pleasure. Pascal Quignard speaks of an " 'unassociated society' of readers ".

The individuation power of reading is such that it is capable of provoking dissociation within the individual, the test of this dissociation being rereading : the text read in childhood provokes different emotions and judgments in adulthood. Montaigne and Proust, each in their own way, testify to the incommensurability between the value of a text and the pleasure it gives. As a sensitive experience, the book reveals the plurality of the self and the passage of time.

Authors and works cited

Quentin de La Tour, Portrait de Jean-Jacques Rousseau, 1753, Musée d'art et d'histoire de Genève. Michael Warner, " Uncritical Reading ", in Jane Gallop, ed., Polemic : Critical or Uncritical, Routledge, 2004, pp. 13-38. Rita Felski, Hooked : Art and Attachment, The University of Chicago Press, 2020. Andrei Minzetanu, " How to get out of the "critical barbarism" ? Bruno Latour, propète de la postcritique ", Critique, nº 886, 2021, p. 267-283. Pascal Quignard, " What is a literary ? ", Critique, nº 721-722, 2007, p. 421-431. Marcel Proust, Du côté de chez Swann ; Le Temps retrouvé ; " Journées de lecture ", in Pastiches et Mélanges. George Sand, François le Champi. Michel Eyquem de Montaigne, The Essays. Boccaccio, The Decameron. François Rabelais. Jean Second, Kisses. Garci Rodríguez de Montalvo, Amadis de Gaule. Ariosto. Virgil, Georgics. Lucretius. Catullus. Horace. Ovid. Charles Baudelaire. Jan Baetens, À voix haute. Poetry and public reading, Les Impressions nouvelles, 2016. Alberto Manguel, A history of reading. Herodotus. Pliny the Younger. Miguel de Cervantes, Don Quixote. Jean-Jacques Rousseau, The Confessions. Jean Starobinski, Jean-Jacques Rousseau, la transparence et l'obstacle. Thomas a Kempis, The Imitation of Jesus Christ. Rémi Mathis, " In angulo cum libro, ou l'inattendu succès de la lettre d'une estampe, de Hieronymus Wierix à Umberto Eco ", Nouvelles de l'estampe, nº 261, 2018, p. 16-25. Marc Pautrel, L'Île au trésor, 2024. Christine Angot. Saint Augustin, The Confessions. Roland Barthes, Le Plaisir du texte. Charles Fourier. Pablo Picasso.