Rodin's non finito : the emotion of statuary delivered to the public

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Part 4 - The value of incompletion: the non finito in art

Speaker(s)

Antoinette Le Normand-Romain

General Curator of Heritage

Events

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Symposium

14 May 2019

16:30 - 17:15

Antoinette Le Normand-Romain

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)

Rodin's non finito : the emotion of statuary delivered to the public

Speaker(s)

Antoinette Le Normand-Romain

Events

Introduction

Internal incompleteness

The obscure object of a sense of completion

The creative process : its dynamic, non-linear nature

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)

Conclusion

See also

Rodin's non finito : the emotion of statuary delivered to the public

Speaker(s)

Antoinette Le Normand-Romain

Events

Introduction

Internal incompleteness

The obscure object of a sense of completion

The creative process : its dynamic, non-linear nature

Orson Welles completed by Netflix. Reflections on the value of film in the digital age

Achèvements par-delà les frontières - Khovanshchina Paris 1913

Olivier Messiaen and his compositional strategies

The temptation to finish an unfinished work in place of the author : Nietzsche's Posthu…

Rodin's non finito : the emotion of statuary delivered to the public

The social conditions for the emergence of the non finito in Italian art (14th-16th c.)

Conclusion

See also

The social conditions for the emergence of the non finito in Italian art (^14th-16th c.)