Theoretical presentation
Development principles
- density: simultaneous multiplication, variable density of harmonic nature ;
- development/deployment: successive multiplication;
- memory: time delay (with variations in duration, timbre, screen, function).
Relationship between instrumental and non-instrumental scores
- simple, immediate, direct transformation ;
- recording ;
- the synthetic score
- virtual score.
Methods for triggering or stopping actions
- pitch ;
- duration ;
- playing form ;
- dynamics.
Harmonic extensions using delays
- number of constant delays, and their density over time ;
- variable number, constant density ;
- constant number, variable density ;
- variable number and density;
- variability of start and end slopes.
Interference between figure rhythm and delay rhythm
- regular figure rhythm, irregular delays ;
- irregular figure rhythm, regular delays.
Changing intervals
- by transposition
- normal to a given interval
- according to a modified scale
- by mapping (bijective application)
- by translation (with frequency shifting) with timbre modification.
Interval permutation
- independently ;
- according to musical execution.
Presentation of production methods
Description of electroacoustic device
- transformation and tracking unit ;
- sampling synthesis unit;
- diffusion and spatialization device.
Description of the compositional plan
- overall form (with the notion of return and memory) ;
- data families ;
- instrumental groups.
Description of the main characteristics of the "interstitial material"
- random generators
- simple random with repetition ;
- random without value repetition ;
- random with prohibition of a value for a time x ;
- obligation to produce a value within a time x.
- motivations for using sampling
- real-time sound editing;
- acoustic information, logical information.
- technique for creating a synthetic flute
- sample transposition constraints ;
- nature of the instrument;
- sample extension to infinity without looping.