A Collège de France coproduction - Doriane Films
Abstract
" To be, or not to be, that is the question To be or not to be, that is the question Why does this line, which contains the most famous phrase in English literature, exert such a spellbinding force ? And how can it help us, when we think of the specificity of English-language literature, or of the divergences between English and French prosodies and what follows from them, or of the mode of existence of our two languages and the peoples who speak them ?