Abstract
Works of art acquire meaning precisely because they offer an experience that takes us outside, beyond the perimeter of our concrete, known and describable existences, where signs have not yet been turned into symbols and where there is no descriptive vocabulary; they knock on the door of the unknowable, but also of the unknowable.
The close relationship between matter, language and thought enables artists to change material forms and thus create new thoughts and emotions. This essential link is the foundation of sculptural practice, making it a powerful and relevant form of artistic expression.
